Free Essays on Robert Frost, Tuft Of Flowers

Being a farmer, Robert Frost was able to experience nature first hand and up close. Frost felt attached to nature on an intimate level which inspired him to write poetry. He strongly believed that man was detached from nature. While farming, Frost would wish that farmers would take advantage of their personal responsibility and be a little but more imaginative and creative when tending to nature. The poem written my Frost, Tuft of Flowers is about a farmer who wrote about the things he saw and experienced while farming. Early in the morning a farmer goes to his field to do his work. Once there, he realizes that the high grass has already been mowed so he turns the grass to dry. The mower gone and out of sight. This triggers feelings of loneliness and solitude. He feels that the mower who mowed the field was unaccompanied and out of sight by any other being. He feels that now he stands alone in the empty field with no one watching him and no one to be with. This feeling of lonely is not just a feeling of unaccompanyment but the loneliness of the entire human race. Then a butterfly comes by looking for flowers but all of the flowers are gone because the mower mowed them all down. The butterfly is drawn to a â€Å"tuft of flowers† by the river which was left by the mower. He left them because he thought they were pretty and it brought him gladness. Then the farmer began to feel the previous mowers spirit because he could feel the mowers passion for nature. This empowering feeling awakens the farmer’s senses and he realizes that he is not working alone. The flowers dispel his loneliness and he now feels in the company of the mower. At first the farmer feels alone and unsatisfied with the world, then as his day progresses and certain events happen he does not feel alone anymore. Now he feels that people are not really alone and people do things that give them and others pleasure. Emerson’s poetry inspired the ... Free Essays on Robert Frost, Tuft Of Flowers Free Essays on Robert Frost, Tuft Of Flowers Being a farmer, Robert Frost was able to experience nature first hand and up close. Frost felt attached to nature on an intimate level which inspired him to write poetry. He strongly believed that man was detached from nature. While farming, Frost would wish that farmers would take advantage of their personal responsibility and be a little but more imaginative and creative when tending to nature. The poem written my Frost, Tuft of Flowers is about a farmer who wrote about the things he saw and experienced while farming. Early in the morning a farmer goes to his field to do his work. Once there, he realizes that the high grass has already been mowed so he turns the grass to dry. The mower gone and out of sight. This triggers feelings of loneliness and solitude. He feels that the mower who mowed the field was unaccompanied and out of sight by any other being. He feels that now he stands alone in the empty field with no one watching him and no one to be with. This feeling of lonely is not just a feeling of unaccompanyment but the loneliness of the entire human race. Then a butterfly comes by looking for flowers but all of the flowers are gone because the mower mowed them all down. The butterfly is drawn to a â€Å"tuft of flowers† by the river which was left by the mower. He left them because he thought they were pretty and it brought him gladness. Then the farmer began to feel the previous mowers spirit because he could feel the mowers passion for nature. This empowering feeling awakens the farmer’s senses and he realizes that he is not working alone. The flowers dispel his loneliness and he now feels in the company of the mower. At first the farmer feels alone and unsatisfied with the world, then as his day progresses and certain events happen he does not feel alone anymore. Now he feels that people are not really alone and people do things that give them and others pleasure. Emerson’s poetry inspired the ...

Elizabeth Vigee LeBrun

Elizabeth Vigee LeBrun Elizabeth Vigee LeBrun Facts Known for:  paintings of French notables, especially Queen Marie Antoinette; she depicted French royal lifestyles just at the end of the era for such livesOccupation:  painterDates:  April 15, 1755 – March 30, 1842Also known as: Marie Louise Elizabeth Vigee LeBrun, Elisabeth Vigà ©e Le Brun, Louise Elizabeth Vigee-Lebrun, Madame Vigee-Lebrun, other variations Family Mother: Jeanne Maissin, hairdresser from LuxembourgFather: Louis Vigee, portrait artist, working in pastels; member of the Academie de Saint Luc Marriage, Children: husband: Pierre LeBrun (married 1776, divorced; art dealer)children:Julie (born 1780) Elizabeth Vigee LeBrun Biography Elizabeth Vigee was born in Paris. Her father was a minor painter and her mother had been a hairdresser, born in Luxembourg. She was educated at a convent located near the Bastille. She drew early, getting in some trouble with the nuns at the convent. Her father died when she was 12, and her mother remarried. Her father had encouraged her to learn to draw, and she used her skills to set herself up as a portrait painter by the time she was 15, supporting her mother and brother.   When her studio had been seized by authorities because she did not belong to any guild, she applied to and was admitted to the Academie de Saint Luc, a painters’ guild which was not as important as the Academie Royale, patronized by more wealthy potential clients.   When her stepfather began spending her earnings, and after her she married an art dealer, Pierre LeBrun.   His profession, and her lack of important connections, may have been the main factors keeping her out of the Academie Royale. Her first royal commission was in 1776, commissioned to paint portraits of the king’s brother. In 1778, she was summoned to meet the queen, Marie Antoinette, and paint an official portrait of her. She painted the queen, sometimes with her children, so often that she became known as the official painter of Marie Antoinette.   As the opposition to the royal family grew, Elizabeth Vigee LeBrun’s less formal, more everyday, portrayals of the queen served a propaganda purpose, attempting to win over the French people to Marie Antoinette as devoted mother with a more middle-class style of living. Vigee LeBrun’s daughter, Julie, was born in 1780, and her mother’s self-portraits with her daughter also fell into the category of â€Å"maternity† portraits which Vigee LeBrun’s paintings helped make popular. In 1783, with the help of her royal connections, Vigee LeBrun was admitted to full membership to the Academie Royale, and critics were vicious in spreading rumors about her.   On the same day Vigee LeBrun was admitted to the Academie Royale, Madame Labille Guiard was also admitted; the two were bitter rivals. The next year, Vigee LeBrun suffered a miscarriage, and painted few portraits.   But she returned to her business of painting portraits of the wealthy and the royals. During these years of success, Vigee LeBrun also hosted salons, with conversations often focused on the arts. She was the subject of criticism for the expenses of some of the events that she hosted. The French Revolution Elizabeth Vigee LeBrun’s royal connections became, suddenly, dangerous, as the French Revolution broke out.   On the night, October 6, 1789, that mobs stormed the Versailles palace, Vigee LeBrun fled Paris with her daughter and a governess, making their way to Italy over the Alps.   Vigee LeBrun disguised herself for the escape, fearing that the public displays of her self-portraits would make her easy to identify. Vigee LeBrun spent the next twelve years self-exiled from France.   She lived in Italy from 1789 – 1792, then Vienna, 1792 – 1795, then Russia, 1795 – 1801.   Her fame preceded her, and she was much in demand for painting portraits during all of her travels, sometimes of French nobility in exile.   Her husband divorced her, so that he could retain his French citizenship, and she saw considerable financial success from her painting. Return to France In 1801, her French citizenship restored, she returned to France briefly, then lived in England 1803 – 1804, where among her portrait subjects was Lord Byron. In 1804 she returned to France to live for her last forty years, still in demand as a painter and still a royalist. She spent her very last years writing her memoirs, with the first volume published in 1835. Elizabeth Vigee LeBrun died in Paris in March of 1842. The rise of feminism in the 1970s led to a revival of interest in Vigee LeBrun, her art and her contributions to the history of art. Some paintings by Elizabeth Vigee LeBrun Marie Antoinette – etching based on Elizabeth Vigee LeBrun portraitMadame de Stael PortraitSelf-Portrait With DaughterSelf-PortraitMaria Christina of Bourbon-Naples